
ack of manual dexterity kept me from learning guitar when I was young, but in my late teens I picked up a harmonicaan all mouth, no fingers instrumentand took to it right away. At the time I was working at a music store in San Diego called Lou's Records, and over the next decade I traveled around the country working in record stores, collecting albums to practice along with, and busking on the street. I worked at Record Ron's in the French Quarter in New Orleans, Rough Trade in San Francisco, Tower Records in Austin, and Newbury Comics in Harvard Square in Cambridge.
grew as fast and proficient on a ten hole diatonic harmonica as any cross harp player. I swing hard, playing involved single note melodies much like a saxophone or clarinet. Over the years I've come to favor a cleaner, more acoustic tone when I play live, using an Audix Fireball microphone into an L.R. Baggs direct box into a PA, although it's still fun to fire up my tweed Bassman reissue and crank it up.
ull time instrumentalists on harmonica aren't in huge demand, though, so I began singing a capella while solo street performingcheck out my version of AC/DC's "Rocker" below for an example. Alternating between playing harmonica and vocalising isn't exactly a breezethe breathing patterns are almost exactly oppositebut I can raise a little hell as a singer. I'm always looking to hook up with good players, so if you're into playing rhythm and blues, swingin' jazz, honky tonk and bluegrass, rockabilly and 50s rock & roll, I'm your guy.
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